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Rapidshare Mediafire Uploaded M83 Hurry Up Were Dreaming Rar Zip Download

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"New Map" redirects here. For the onetime French manufacturer of motor-bikes and small cars, meet New-Map.

2011 studio album past M83

Hurry Up, We're Dreaming
M83-Hurry-Up-Were-Dreaming.jpg
Studio album by

M83
Released 18 October 2011 (2011-ten-xviii)
Studio
  • Dusk Sound (Los Angeles)
  • The Audio Factory (Los Angeles)
  • Justin's studio
  • Electro-Vocalisation (Los Angeles)
  • OTM
  • M83 Studio (Antibes, France)
Genre
  • Synth-pop[1] [2]
  • ambient[3] [four]
  • shoegaze[5]
Length 73:20
Label Naïve
Producer
  • Justin Meldal-Johnsen
  • Anthony Gonzalez
M83 chronology
Saturdays = Youth
(2008) 		Bustle Up, We're Dreaming
(2011) 		Oblivion
(2013)
10th Anniversary reissue
HurryUp,We'reDreaming2022.jpeg
Singles from Bustle Up, We're Dreaming
  1. "Midnight City"
    Released: 16 Baronial 2011
  2. "Reunion"
    Released: 5 February 2012
  3. "OK Pal"
    Released: 30 July 2012
  4. "Steve McQueen"
    Released: 27 Nov 2012
  5. "Wait"
    Released: five Dec 2012

Hurry Up, We're Dreaming (stylised as HurryUp,We'reDreaming.) is the sixth studio album by French electronic music band M83. The album was released on 18 October 2011, by Naïve Records in France and Mute Records in the United States.[6] [7] It is M83'due south last album with keyboardist Morgan Kibby and the band's first full double album.[viii]

The album has received generally favourable reviews from critics.[9] It debuted at number xv on the Usa Billboard 200 with first-week sales of 21,000 copies, becoming M83'southward highest-charting anthology to appointment.[x] It had sold 300,000 copies in the United States as of March 2016.[11]

The album was nominated for Best Alternative Music Album at the 2013 Grammy Awards and was ranked number 134 on Pitchfork 's list of "The 200 Best Albums of the 2010s" in October 2019.[12]

Production [edit]

Background and recording [edit]

Prior to recording Hurry Up, We're Dreaming, Anthony Gonzalez moved from his native French republic to Los Angeles. Describing the movement in an interview, Gonzalez said: "Having spent 29 years of my life in France, I moved to California a twelvemonth and a half before the making of this album and I was excited and inspired by so many different things: by the mural, past the way of life, by alive shows, by movies, by the route trips I took alone... I was feeling alive once more and this is, I experience, something that you can hear on the anthology"[13] Gonzalez'southward tour with the Killers, Depeche Way, and Kings of Leon in add-on to his road trips to Joshua Tree National Park heavily influenced the album.[14] [15]

Gonzalez cited the ambitiousness of albums such as The Smashing Pumpkins' album Mellon Collie and the Infinite Sadness as the reason he made Hurry Upward, We're Dreaming a double album. In addition, he described the 2 discs equally brother and sis, with each track having a sibling on the other disc.[14] The album was recorded in Los Angeles at Dusk Sound and The Audio Factory.[16] Because of budget constraints and union issues, the string and contumely players who contributed to the anthology were not paid and were credited with pseudonyms.[15]

Gonzalez recorded the album equally a way to remember his babyhood.[17] Gonzalez explained to Spin magazine that Hurry Upward, We're Dreaming is "mainly well-nigh dreams, how anybody is different, how you lot dream differently when yous're a kid, a teenager, or an adult. I'm really proud of it. If yous're doing a very long anthology, all the songs demand to exist dissimilar and I recollect I've done that with this ane."[18] In an interview with musicOMH, he described the anthology as "a reflection of my thirty years as a homo beingness" and something he dedicated to himself.[nineteen]

Style [edit]

Gonzalez described the anthology's audio as a mix between the synth-pop of Saturdays = Youth (2008) and the more ambient work of Before the Dawn Heals United states of america (2005).[eighteen] Additionally, the anthology uses instruments not institute on previous M83 albums, such every bit the acoustic guitar, flute and saxophone.[twenty] Hurry Up, We're Dreaming also features contributions from Medicine's Brad Laner and Zola Jesus.[eighteen] Critics have noted musical influences from 1980s artists such every bit Kraftwerk, Simple Minds, Peter Gabriel and Harold Faltermeyer, likewise as contemporary electronic artists such as Cut Copy.[21] [22] [23]

Release [edit]

Hurry Upwards, We're Dreaming was commencement teased on 23 June 2011 in a YouTube video titled "Echoes...", which besides appear North American tour dates.[24] [25] The album'southward lead single, "Midnight City", premiered online on 19 July 2011,[26] [27] and was officially released on 16 August 2011.[28] On 10 Oct 2011, the album was streamed in its entirety on the Urban Outfitters website.[29] Urban Outfitters also hosted a simultaneous listening party at all of its stores the Sabbatum earlier Hurry Up, We're Dreaming 's release.[thirty] On 17 October 2011, a music video for "Midnight Metropolis" was released.[31] On 30 May 2012 a music video for the album's 2d unmarried, "Reunion", was released. The video is a follow-up to the "Midnight City" music video.[32] M83 released a music video for "Steve McQueen" on 25 Oct 2012.[33]

On 5 Nov 2012, a three-disc deluxe edition featuring remixes of "Midnight City", "Reunion" and "Steve McQueen" was announced.[34] On 5 December 2012 a music video for "Wait" was released.[35]

The runway "Outro" was used as the backing music for the extended trailer created for the film Cloud Atlas as well as many other trailers and films over the following years.

Critical reception [edit]

Professional person ratings
Amass scores
Source Rating
AnyDecentMusic? 7.v/10[36]
Metacritic 76/100[9]
Review scores
Source Rating
AllMusic [37]
The A.V. Club B−[38]
The Daily Telegraph [39]
Entertainment Weekly B+[twoscore]
NME seven/10[41]
The Observer [42]
Pitchfork 9.one/10[21]
Q [43]
Rolling Stone [44]
Spin 7/x[45]

Hurry Upward, We're Dreaming received generally positive reviews from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the anthology received an average score of 76, based on 38 reviews.[9] Pitchfork 's Ian Cohen gave Hurry Upward, We're Dreaming a "Best New Music" designation and dubbed it the ring's best record thus far, noting the reduction of the "heavily saturated synths" of Anthony Gonzalez's earlier work in favour of more accessible songs and adding that "the traditionally structured songs here are some of the nearly thrilling popular music released this year."[21] Similarly, The Daily Telegraph 'southward James Lachno felt that the anthology "finally fuses his innate ingenuity with an accessible, commercial edge."[39] Rudy Klapper of Sputnikmusic complimented the influence of 1980s music on Hurry Up, Nosotros're Dreaming, calling the record "nigh flawless, an essential distillation of the sounds of Gonzalez's youth, nostalgia and melancholy and happiness all mixed upwardly into a sparkling pop stew."[46] The Contained critic Simon Price praised information technology as "a towering urban center of sparkling synth edifices simultaneously summoning the best of the 1980s (New Lodge, The Cure) and the current brood (The Knife, Empire of the Dominicus)".[47]

Nether the Radar 'due south Laura Studarus described Hurry Up, We're Dreaming as a "remarkable accomplishment" and a "double album of stunningly ambitious, synth-soaked dreams".[48] In a review for the NME, Jamie Crossan compared the album's "guileless and dreamy" nature to the title character of Antoine de Saint-Exupéry's 1943 novella The Lilliputian Prince and admitted that such would exist "quite a assuming statement to make, only this is an album of equal valor."[41] Reef Younis of BBC Music felt that while "some consistency may have been sacrificed in favor of a space-filling selection of tracks, this set still represents a heaving, breathing journey through the introspective and the bombastic, the striving and the exhaustive. It is the undeniable audio of 1 human'southward triumphant dreams."[49] Heather Phares of AllMusic stated that while Bustle Upward, We're Dreaming "may not exist quite equally hit as Saturdays = Youth, information technology delivers a welcome mix of classic sounds and promising changes."[37]

David Marchese of Spin felt that Hurry Up, We're Dreaming is "full of goose-bump moments", only that the "lack of something as enjoyably obviously (and relatively calm) every bit 'Kim & Jessie'... makes Gonzalez's insistence on oversize emotions experience a tad restrictive."[45] In a similarly mixed assessment, Timothy Gabriele of PopMatters criticised the ring for "focusing too much on magnitude throughout and too little on depth" on the album, but noted that the "totality of audio" on the album "has a way of blinding even the near critical listener to the problems that underline many of the album's lesser songs".[50] The A.5. Society 's Christian Williams constitute the album underwhelming, concluding that "for an album of such impressive scale and nanoscopic attention to detail, Dreams [sic] leaves a surprisingly light impression."[38] Kevin Liedel of Slant Mag criticised the album for rehashing sounds from earlier M83 albums and felt that it sounded "much more like an M83 wannabe's poor false than the real bargain."[51]

Accolades [edit]

Hurry Up, Nosotros're Dreaming appeared on several end-of-year lists. Filter named it the best album of 2011.[53] Paste named Hurry Up, We're Dreaming the ninth best album of 2011, writing "As with everything the Frenchman's done and then far, the album is lush and ably produced, crescendo subsequently crescendo."[54] Pitchfork named it the third all-time album of 2011, with Jayson Greene writing: "Bustle Up Nosotros're Dreaming doesn't just draw liberally from the spirit of the massive rock albums Gonzalez proper name-checked, it practically swallows them whole, regurgitating and redistributing them into something listeners from every corner of the music universe tin hear a piece of their lives in."[55] Popmatters ranked Hurry Up, We're Dreaming number v on its list of "The 75 Best Albums of 2011", while Spin ranked the album number 19 on its end-of-year listing.[56] [57] Online music retailer eMusic ranked the album number 2 on its Best Albums of 2011 list.[52]

The track "Midnight City" has been singled out for praise. Paste named information technology the second-all-time song of the year.[59] PopMatters named the track the best song of 2011, with Ryan Reed writing: "On this transcendent standout [...] Anthony Gonzalez and co-synth-scientist Justin Meldal-Johnsen build layer upon layer of keys, arena-sized drums, and vocal atmospherics (not mentioning one of the tastiest sax solos this side of a Springsteen record). The result? The synth Sistine Chapel."[60]

Bout [edit]

M83 performing on the Bustle Up, We're Dreaming tour, November 2011 at Music Box Theater

Prior to the tour, Gonzalez posted an open audition on the M83 website for a multi-instrumentalist who could play guitar, bass and keyboards to join him on tour.[61] Sparta Township, New Bailiwick of jersey native Jordan Lawlor won the audience.[62]

The tour for Hurry Up, We're Dreaming began in Mexico City on 15 Oct 2011 and ended on one December 2011 in London, England.[63] A 2d leg of the tour began on 12 January 2012 in Los Angeles and was originally going to end on 8 Baronial 2012 in New York Urban center. During this second leg, M83 performed at the Coachella Valley Music and Arts Festival on 13 and 20 April, at the St Jerome's Laneway Festival in Australia and New Zealand, and at Lollapalooza in Chicago.[64] [65] The tour was later extended and ended in London on 8 November.

Track listing [edit]

All songs equanimous by Anthony Gonzalez. Boosted music composition past Justin Meldal-Johnsen. Additional lyrics by Yann Gonzalez, Morgan Kibby and Brad Laner.

Disc one
No. Title Length
1. "Intro" 5:22
two. "Midnight Metropolis" 4:03
three. "Reunion" 3:55
4. "Where the Boats Get" 1:46
5. "Look" 5:43
vi. "Raconte-moi une histoire" 4:04
7. "Train to Pluton" 1:15
8. "Claudia Lewis" 4:31
9. "This Vivid Flash" 2:23
10. "When Volition You Come Home?" 1:23
eleven. "Shortly, My Friend" iii:09
Total length: 37:34
Interlude
No. Title Length
1. "Mirror" (downloadable bonus runway[half-dozen] [27]) 5:45
Disc two
No. Title Length
one. "My Tears Are Becoming a Bounding main" ii:31
2. "New Map" four:22
3. "OK Pal" 3:58
4. "Some other Moving ridge from You" 1:53
5. "Splendor" 5:06
half-dozen. "Yr I, One UFO" iii:17
7. "Fountains" ane:21
eight. "Steve McQueen" iii:48
nine. "Echoes of Mine" 3:39
10. "Klaus I Beloved You" 1:44
11. "Outro" iv:07
Total length: 35:46

Deluxe edition disc three

  1. "Midnight City" (Eric Prydz Private remix)
  2. "Midnight City" (Trentemøller remix)
  3. "Midnight City" (Team Ghost remix)
  4. "Reunion" (Mylo remix)
  5. "Reunion" (Sei A remix)
  6. "Reunion" (White Sea remix)
  7. "Steve McQueen" (Maps remix)
  8. "Steve McQueen" (BeatauCue remix)

Personnel [edit]

Credits adapted from the liner notes of Bustle Up, We're Dreaming.[66]

Musicians [edit]

  • Anthony Gonzalez – lead vocals (disc i: tracks 1, 5, half dozen, 11; "Mirror"; disc 2: tracks one–3, 8); background vocals (disc 1: tracks 1, 5, 6, xi; "Mirror"; disc two: tracks i–iii, v, eight, 9); keyboards (disc 1: tracks 1–9, xi; "Mirror"; disc 2: tracks 1, 2, 4–11); programming (disc 1: tracks one–9; "Mirror"; disc two: tracks 1, 2, four–eleven); electric guitar (disc 1: tracks 1–3, 8, 9; "Mirror"; disc ii: tracks 1–3, half dozen, viii, nine, eleven); vocals (disc 1: tracks 2, 3, viii, 9; disc ii: tracks 4, vi, 7, 10, 11); piano (disc 1: rail 4); orchestral arrangements, conducting (disc one: track 5); snaps (disc 1: track 6; disc 2: track 2); claps (disc i: track 6; disc 2: runway 5); synthesizer (disc 1: track 10)
  • Zola Jesus – atomic number 82 vocals (disc 1: track i)
  • Morgan Kibby – groundwork vocals (disc one: rail 1); monologue (disc 1: track three)
  • Justin Meldal-Johnsen – keyboards (disc 1: tracks 1–half-dozen, 8, 11; "Mirror"; disc ii: tracks i, 2, iv–11); programming (disc 1: tracks ane–vi, viii; "Mirror"; disc 2: tracks 1, ii, 4–11); electrical guitar (disc 1: tracks 1–3, 8, 9; "Mirror"; disc 2: tracks 1–3, 6, 8, 9, 11); bass guitar (disc one: tracks one, iii, five, 6, 8, 9; "Mirror"; disc 2: tracks 1–3, half-dozen, 8, 9, 11); acoustic guitar (disc 1: tracks 5, half dozen, 11; disc 2: tracks 5, 6, 11); snaps (disc 1: rails half dozen; disc 2: track two); claps (disc ane: track 6; disc 2: track 5); percussion (disc 1: track viii; "Mirror"; disc 2: tracks 2, 3); recorders (disc ane: track ten); mandolin (disc 1: track 11)
  • Loïc Maurin – drums (disc 1: tracks 1, 3, 5, half-dozen, 8, ix; "Mirror"; disc 2: tracks 1–3, 6, 8, 9, 11); snaps (disc 1: rail 6; disc 2: track 2); claps (disc 1: runway half-dozen); percussion (disc i: tracks 8, 9; "Mirror"; disc 2: track 2)
  • Joey Waronker – orchestral percussion (disc 1: tracks 1, xi; disc 2: tracks 1, 5, eleven); electronic drums, percussion (disc one: track 8; "Mirror")
  • The Orphans String and Brass Orchestra – orchestra (disc 1: tracks i, five, xi; disc ii: tracks 1, eleven)
  • Joseph Trapanese – orchestral arrangements, conducting (disc 1: tracks i, 5, 11; disc 2: tracks one, 11)
  • James Male monarch – saxophone (disc 1: track 2); flute, baritone saxophone (disc two: rails two)
  • Gabriel Johnson – trumpet (disc 1: rails 4)
  • Brad Laner – background vocals (disc 1: track 5; disc two: track 5); lead vocals (disc 2: rail v)
  • Lyle Workman – acoustic guitar (disc 1: tracks 5, vi; disc two: tracks 5, 6); tiple (disc one: tracks 5, 6; disc 2: track five); banjo, mandolin (disc ane: track six); Marxophone (disc ii: runway 5)
  • The Purple Mixed Developed Choir – groundwork vocals (disc ane: tracks 6, 11; "Mirror"; disc 2: track 2); claps (disc ii: track 5)
  • Zelly Boo Meldal-Johnsen – monologue (disc 1: track 6)
  • The Shakespeare Bridge Children's Choir – snaps, claps (disc i: track six); groundwork vocals (disc 2: rail five)
  • John Graney – whistle (disc ane: rails 8)
  • Chelsea Alden – monologue (disc two: rail three)
  • Patrick Warren – pianoforte (disc 2: tracks five, eleven)
  • Amy White – background vocals (disc ii: track 8)
  • Lydie Benzakin – monologue (disc 2: rails ix)
  • Toni Kasza – The Shakespeare Bridge Children'southward Choir direction (disc 1: tracks 6, xi; "Mirror"; disc two: tracks two, 5)

Technical [edit]

  • Justin Meldal-Johnsen – product, engineering
  • Anthony Gonzalez – production
  • Tony Hoffer – mixing (disc one: tracks 1–3, 5, 6, 8, nine, 11; disc 2: tracks 1–three, 5, 6, 8, 9, eleven)
  • Antoine Gaillet – mixing (disc 1: tracks 4, 7, 10; disc 2: tracks 4, 7, 10)
  • Todd Burke – engineering science
  • Mike Schuppan – additional engineering, engineering aid
  • Graham Promise – engineering assistance
  • Cameron Lister – engineering assistance
  • Dave Cooley – mastering

Artwork [edit]

  • Anthony Gonzalez – art direction, design
  • Anouck Bertin – art management, design, photography
  • Ashkahn Shahparnia – sleeve layout
  • Shane Konen – sleeve layout

Charts [edit]

Certifications [edit]

References [edit]

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External links [edit]

  • Bustle Up, We're Dreaming on M83's official website
  • Bustle Upwardly, Nosotros're Dreaming premiere

cremeanswasend.blogspot.com

Source: https://en.wikipedia.org/wiki/Hurry_Up,_We%27re_Dreaming

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